Senin, 29 Desember 2014

Download PDF Further Up & Further In: Understanding Narnia, by Joseph Pearce

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Further Up & Further In: Understanding Narnia, by Joseph Pearce

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Further Up & Further In: Understanding Narnia, by Joseph Pearce

Review

 It is by far the best (most readable, most mature, most profoundly wise, and most wonder-full, i.e. most Lewisian) of the plethora of books written  about the Chronicles of Narnia.  —Peter Kreeft, Professor of philosophy at Boston College, prolific author, and C.S Lewis scholar.   Both Tolkien and Lewis believed that a book that was only worth reading by children was probably not worth reading at all. In this accessible study, Joseph Pearce helps lovers of Narnia to understand that the sense of child-like innocence, wonder, humility, and gratitude that draws us to the Chronicles is proof, not that we've entered a second childhood, but that we’ve matured into true adults. — Louis Markos, Professor in English and Scholar in Residence, Houston Baptist University and author of On the Shoulders of Hobbits: The Road to Virtue with Tolkien and Lewis.   

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About the Author

Joseph Pearce is Writer in Residence and Visiting Fellow at Thomas More College of Liberal Arts in Merrimack, NH. He is a renowned biographer whose books include Candles in the Dark: The Authorized Biography of Fr. Ho Lung, Missionaries of the Poor (Saint Benedict Press, 2012); Through Shakespeare's Eyes: Seeing the Catholic Presence in the Plays (Ignatius Press, 2010); and Tolkien: Man and Myth, a Literary Life (HarperCollins, 1998). He is the recipient of an Honorary Doctorate of Higher Education from Thomas More College for the Liberal Arts and the Pollock Award for Christian Biography. He is co-editor of the St. Austin Review, editor-in-Chief of Ignatius Press Critical Editions, and editor-in-Chief of Sapientia Press.

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Product details

Hardcover: 216 pages

Publisher: TAN Books (March 15, 2018)

Language: English

ISBN-10: 1505108667

ISBN-13: 978-1505108668

Product Dimensions:

5.8 x 0.5 x 8.8 inches

Shipping Weight: 13.1 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#154,038 in Books (See Top 100 in Books)

C.S. Lewis is brilliant and this book helps your appreciation of these stories.

Can wait to read the newest of Joseph Pearce’s books. He is so inspired a writer

This is only the second book by Joseph Pierce that I have read but after reading it I have added almost a dozen of his book to my wish list. For many readers this book will be a journey back, many readers would have read the Narnia books as children, or even had the books read to them. Some would have read them again in classes in high school, college or university. And some would have reread them with their own children or grandchildren. When I was a book seller, the box sets of Narnia and the single volume edition were extremely popular, especially around Christmas and Easter.But my experience of Narnia is very different. For I have a dual form of dyslexia and could not read until after grade 7. And by then I had no interest in Narnia. But when I was in university, a chaplain recommended both Narnia and some of the fiction of George MacDonald to me. Those recommendations took me to new worlds, and one with very different lessons than those from books I was reading by Piers Anthony, Harry Harrison, Edgar Rice Burroughs and more. And as such these books were ones that started a drift it what I read and how. That first summer I am pretty sure I read these books through twice. Once in the publication order, the used box set I picked up had them numbered that way. And then reread them in the chronological order. And I am now reading them through with my son. And interestingly enough Pearce addresses the order they should be read in his Prefatory Note in fact he states:"This is the order in which the Chronicles are now listed in all new editions, essentially formalizing it as the "correct" way in which they should be read. Walter Hooper, editor of Lewis's letters and probably the premier Lewis scholar in the world, maintains that this is "the sequence in which Lewis meant for them to be read." 1 His justification for such a claim rests in what Lewis told him personally in the summer of 1963 and is buttressed by a letter that Lewis wrote in April 1956 in which he states explicitly that he preferred that the books be read in this order. 2 Although I am aware that many good and reputable scholars still argue for the books to be read in the order in which they were originally published, I have chosen to follow the sequence that Lewis evidently preferred, discussing them in the order of the chronology of the stories."This book begins with two chapters in part to set up the purpose and methodology used in this book, and stress why adults should indeed read fairy stories. And then there is a chapter dedicated to each of the volumes in the series itself. Therefore, the chapters in the book are as follows:Why Wardrobes Are for Grown-Ups TooLearning to Read Like a Grown-UpThe Magician's NephewThe Lion, the Witch and the WardrobeThe Horse and His BoyPrince CaspianThe Voyage of the Dawn TreaderThe Silver ChairThe Last BattleFurther Up and Further InBibliographyIndexThis book draws heavily upon the study of Chesterton, and Chesterton's influence on Lewis. And I must admit my experience with Chesterton is lacking greatly. (But this book has spurred me on to remedy that.) Pearce states:"In other words, and to reiterate, fairy stories give us the moral framework necessary to see the world as it is, in all its glorious heights and goriest depths, from the perspective of the way it should be. We learn to value the underdog and spurn the tyrant; we learn that small things need to be defended from the power of the mighty, which is the principle of subsidiarity as enshrined in Catholic social teaching. We learn to love the poor and rejoice in the exaltation of the humble; we learn that the ugly, the disfigured, and the disabled should be loved and not rejected; we learn that even the power of death can be defeated. Such lessons are not merely valuable and desirable; they are priceless and necessary. We are more than merely impoverished if we don't receive such gifts; we are dehumanized. We become less than we should be, less than we are meant to be. We become dragons who devour the innocent and lay waste to the world around us."And let us draw one sentence from that paragraph:"Such lessons are not merely valuable and desirable; they are priceless and necessary."This book is an incredible read. For even casual fans of the Narnia books it will renew interest and likely lead to a rereading. For Fans of Lewis and hard-core fans of Narnia it will draw you in and re-spark that wonder from when you first read the books. As soon as I finished reading this book I wanted to start reading again 'The Magician's Nephew' and reread this book as I read each of the seven books. But I have decided to wait and make that a project for over the summer.I absolutely loved this book! I only wish it was longer. Or that maybe it will be a jumping off point and now Pearce will write a volume on each of the Narnian books. One can hope. But no matter who you are, if Narnia left a mark on your heart, no matter your age at the time of reading, this book will ignite that love and wonder again, a bigger way. For as Lewis stated in 'The Last Battle': "The further up and the further in you go, the bigger everything gets." And this book will help you to see that magic with new eyes and a new heart!

The Chronicles of Narnia was one of my favorite series as a child. It opened my eyes to a fascinating world, and is a series I still visit in my adulthood. I love it so much I have two different audio versions of the books and even imported some color hardcover books from the U.K. because I didn't think the U.S. versions of the books were of good enough quality for this series. In addition to reading the books, I also enjoy reading about the books and learning things I might have missed in my readings of them. That's why I knew I had to have a copy of Further Up and Further In: Understanding Narnia.The book begins with the author, Joseph Pearce, explaining the proper order to read the series and touting its popularity almost 70 years later. He then discusses this series briefly in comparison with Tolkien's Lord of the Rings, and talks about how that even though these books are widely viewed as children's books, they are for adults as well. However, to read these books as an adult, we must first become childlike. This leads us to the next chapter that teaches us about allegory, symbolism, sacramentalism, and learning to read like an adult. The meat of the book is the next seven chapters, which devotes one chapter to each book in the series, starting with The Magician's Nephew and working us all the way to The Last Battle. The chapters range in length from 12 pages to 29 pages. I was surprised that the shortest one was the one on The Lion, The Witch, and the Wardrobe, but perhaps that is because it is the most well-known and straightforward one of the series. The chapter I most enjoyed reading was on The Magician's Nephew. That is my favorite book of the series, because I love a good Creation story. Pearce tackles this story, compares it to Tolkien's Creation story in The Silmarillion. He also shows us the dire warnings that Aslan gives for our world, which though the warnings benefited from hindsight, the lessons can still be applied today.The book closes with a chapter that discusses what happened in the final book at the end. Here we get an explanation of why Susan is not there and what that means for her soul. We also see a theology of someone not knowing Christ but making it to Heaven, because he lived a good life and tried to do what is right. This is not the heresy of Universalism, but the theology of a merciful God, saving the souls of those who did not have the chance to know him, and would have accepted Him had they only had the chance to know Him. I loved reading this book, because it made me get out the series and read it again. I learned things I have missed in my previous readings, and it tells me that you can read this series many times and find something new every time. I also liked all the holes Pearce poked into the arguments of Philip Pullman, a noted atheist author and C.S. Lewis hater. I have never had to argue in defense of C.S. Lewis, but if I needed to, Further Up and Further In is the first book I would reference. If you are a lover of Narnia, like me, this is a book you need on your shelf!

In this book Joseph Pearce takes a deeper dive into the Narnia series. I especially enjoyed how he shows Lewis's likely influences into the story and the characters. This is not meant as a summarization of the novels, but a look at some of the deeper meanings and main spiritual turning points.Just excellent, so of course I am re-reading the Narnia series now to take advantage of what I learned here.

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Kamis, 25 Desember 2014

Get Free Ebook Can You Die of a Broken Heart?: A heart surgeon's insight into what makes us tick

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Can You Die of a Broken Heart?: A heart surgeon's insight into what makes us tick


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Can You Die of a Broken Heart?: A heart surgeon's insight into what makes us tick

Review

"Stamp’s well-appointed resource will leave her audience with plenty of useful suggestions on tending to an all-important organ with one’s 'body, mind, and soul.'" - Publisher's Weekly

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About the Author

Dr Nikki Stamp is one of only a handful of female heart and lung surgeons in Australia. She holds a Fellowship of the Royal Australasian College of Surgeons in cardio-thoracic surgery and trained at some of the country's busiest hospitals. Dr Stamp has a strong desire to change the way we think about health.

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Product details

Paperback: 224 pages

Publisher: Murdoch Books; 1 edition (July 2, 2019)

Language: English

ISBN-10: 1760634255

ISBN-13: 978-1760634254

Product Dimensions:

9.2 x 0.8 x 6.2 inches

Shipping Weight: 10.6 ounces (View shipping rates and policies)

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Amazon Best Sellers Rank:

#2,486,700 in Books (See Top 100 in Books)

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Minggu, 07 Desember 2014

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File Size: 53905 KB

Print Length: 385 pages

Publisher: Bloomsbury USA; 1 edition (October 14, 2014)

Publication Date: October 14, 2014

Language: English

ASIN: B00N8LIIH0

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Pope Julius II was a fastidious man whose eye for the arts was always set on his lofty standards of beauty and perfection that few artists could satisfy. So when the pope saw the Pieta whose beauty surpassed the ancient Greek and Roman sculptures adorning the tomb of a French cardinal, he wanted the same awe-inspiring adornment for his tomb, whereupon one Michelangelo Buonarroti from Florence was summoned for the commission for the work. From then on, that’s how Michelangelo at age thirty-three reluctantly embarked on his Herculean task of frescoing the vault of the Sistine Chapel. This book by Ross King recounts such background stories of the making of the Sistine Chapel frescoes and descriptions of the personal traits of Michelangelo.Michelangelo’s work on the frescoes resulted from part Divine Providence of endowing the humanity with an awe-inspiring masterpiece of art to delight the senses of mankind through the ages and part secular ambitions to mark the names of both the commissioner and the artist themselves. Pope Julius II also wanted to renovate the Sistine Chapel that had been used as a living quarter for the guards, a fortress against papal enemies, and a jail. As no one pours new wine into old wineskins as said in the bible, the pope’s plan to revert the chapel to its original place of worship, which made him drop his tomb project, was met by his idea of frescoing the vault in its entirety. Michelangelo, who was a breadwinner of his family, accepted the commission with sumptuous amount of salary and commenced four-year of labor of woes and dramas on the vault of the chapel.There are revealing truths that should be known concerning the process of frescoing the Sistine Chapel as follows: Contrary to popular belief that Michelangelo did the work while lying prone on his back, he worked with his upper body bent backward like a bow. Also, it wasn’t done by solely by Michelangelo but a work of concerted efforts made by a contingent of his assistants chosen by Francesco Granacci, a close friend of Michelangelo. Michelangelo was innately a solitary worker who had a strong distrust of others who worked with him. As a matter of fact, Michelangelo was never a jolly fellow whose sociability would have endeared him to all, as in the case of his contemporary Raphael Sancti.It is also interesting to pay special notes on the figures Michelangelo used for the frescoes, which shows his ingenuity of selecting unique subject matters distinguished from his contemporaries. To illustrate, he used 7 prophets from the Old Testament and 5 sibyls from pagan myth to decorate the Sistine vaults. He was fascinated with prophetic knowledge of the sibyls who dwelled in sacred shrines and predicted the future in fits of inspired madness. This offered a compelling link between the sacred and the profane, the church and the esoteric pagan culture by reconciling pagan mythology with orthodox Christian teachings.From this book, readers will find that the position of a painter/sculptor was not esteemed highly; he was more of a skilled laborer, a craftsman, given exact orders how to produce his work by his commissioner or patron. As a matter of fact, the image of a solitary genius who would wield his brush and pallets to portray his world of imagination from the fathoms of his soul was a romantic fable. In Michelangelo’s time, an artist’s creativity was fettered by the demands of marketplace or his patron. Nevertheless, Michelangelo often disagreed to the pope’s own artistic direction and even had a temerity of broaching the shipping charges incurred in transporting the marbles from Carrara for the aborted tomb project at a dinner table with the pope .Michelangelo was said to be a man of aesthetically unpleasing appearance without sociability; his direct altercation with Leonardo da Vinci as described in this book was amusing to discover. Both of the masters of the arts did not like each other publicly, but it was on the part of da Vinci who instigated such heated feud. He disregarded sculptors, including Michelangelo, as mechanics in the appearance of unkempt bakers.King’s research into this daunting subject matter is indeed impressive and highly laudable. Reading his account of how Michelangelo worked on his frescoes enabled me to envision the scene very vividly. The descriptions of the streets, alleys, and the Sistine Chapel are realistically rendered as if they were pictures. However, I could not help but feel a subtle tone of anti-papacy or even a remote sense of anti-Catholicism in this book. Evidently, there were corruptions among the church officials, clerics, not to mention the laypersons. But I wonder if King should have spent several chapters about Pope Julius II to discern just what kind of person he was in a negative shadow, the fallacy of his character, of the papacy in general. I ascribe such tendency to culturally transmitted anti-Catholicism in England, a home of the Episcopal Church, from the time of Henry VIII because this is not the first time I recognize such sentiment in English writers.Notwithstanding the above sentiment, the book has its magical way of transporting readers to Italy in the early 16th century and invites readers to meet with Michelangelo as he was in his disheveled hair and untidy outfit dripped with colors from the unfinished fresco. Despite all his personal foibles, he is indeed a person bizarre fantastico whose muscular nudes in frantic but graceful gyrates have both the beauty and the sublime that produce in the spectator a kind of astonished wonder so formidable and so fantastic throughout the ages.

The topic of this book is an artistic and historic blockbuster: Michelangelo's famous frescoes on the ceiling of the Sistine Chapel. The author tells the story in great detail -- arguably in too great detail. Every artist and assistant artist and many of their relatives and patrons are given, along with their towns and some of their history -- often with little relevance to the story. This is a lot to wade through and is more than is necessary. Their names are long and hard to pronounce, at least for a non-speaker of Italian. There is a fair amount of repetition as well. For example, we are told at least three times that, contrary to (supposed) popular belief, Michelangelo did not do his painting solo and while lying on his back (as in Irving Stone's "The Agony and the Ecstasy"): He built elaborate scaffolding to make his work and that of his assistants easier. We are told about the sexual reputations of not just Michelangelo (meh) and Raphael (stud), but of many of their friends and associates. This sounds promising but is actually not that explicit and hence a bit disappointing when the book could have used a bit of pizzazz...Arguably, the person who has the most developed and interesting character is not the artist but the man who commissioned him: Pope Julius II -- a domineering and vain and aggressive person, who was perhaps more interested in the power struggles among the Vatican and the Italian city-states (and against France) in the 16th century than in the finer points of the Catholic faith. We never get a definitive idea of how Michelangelo himself felt about Julius -- though it seems negative in balance. We also don't get much info on Michelangelo's attitude toward religion, though it is suggested that he was a believer (with little supporting evidence).Although the book is about Michelangelo as a painter, he considered himself primarily a sculptor (and is perhaps remembered that way). Yet there is not much about his work with stone and its relation to his painting.One of the book's major shortcomings is the lack of good illustrations. There are just a few color plates and not that many black and white ones. I had to go to the Wikipedia entry on the Sistine Chapel to get decent close-ups so I could follow the descriptions in the text. The author should have included at least this link (and probably others that might be even better). The author's analysis of the frescoes artistic features does not seem authoritative and at times seems sketchy. Of course, to be fair, there are plenty of expert analyses to be had.I had previously read the author's "Bruneleschi's Dome" which is more streamlined and easier to digest. "Pope's ceiling" was, though interesting, rather ponderous. Sometimes less is more as they say.

Unlike Brunelleschi's Dome which I have found more tedious, I enjoyed this book thoroughly. It is entertaining and very illustrative of the times Michelangelo and all of the Renaissance masters lived. The papal intrigues also come out as a kind of Agatha Christie mystery in a sense. The hardships Michelangelo had to go through in order to achieve the completion of this supreme work sound quite real and it is astounding to learn how he managed to outdo some of the masters of the time when he was new to fresco. YES, here I learned that believe it or not, this was his FIRST experience with the technique. I considered him a genius in his own right before reading the book, but now my admiration is boundless.I would recommend this book to anyone interested in Renaissance art who is not looking for a scholarly volume but is interested in coming closer to understanding these people's geniuses. I would also recommend reading it BEFORE going to the Vatican in order to be able to know where to look and to appreciate the work to the full without having to listen to parrot like guides. I have bee to the Sistine Chapel twice but I can't wait to go again and check the facts for myself.

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