Senin, 25 Januari 2010

Download PDF The Language of Names: What We Call Ourselves and Why It Matters

Download PDF The Language of Names: What We Call Ourselves and Why It Matters

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The Language of Names: What We Call Ourselves and Why It Matters

The Language of Names: What We Call Ourselves and Why It Matters


The Language of Names: What We Call Ourselves and Why It Matters


Download PDF The Language of Names: What We Call Ourselves and Why It Matters

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The Language of Names: What We Call Ourselves and Why It Matters

Review

David Mehegan The Boston Globe A readable and extraordinarily detailed exploration of human names and naming....irresistible.Marina Warner The New York Times Book Review Mr. Kaplan and Ms. Bernays's approach is genial, light-handed, as if engaging the reader in party conversation....The Language of Names tackles a rich and fascinating theme.John Strawn Portland Oregonian An entertaining look at a subject we intuitively regard as of great importance...but rarely think about.David Crumm Detroit Free Press The authors aren't trying to prove a thesis as much as they are trying to leave us with a sense of wonderment, so that the next time we meet someone, we might linger a moment longer in pondering his or her name.

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About the Author

Justin Kaplan is the author of Mr. Clemens and Mark Twain, which was awarded a Pulitzer Prize and a National Book Award, and of Walt Whitman: A Life, which won the American Book Award. He is a member of the American Academy and Institute of Arts and Letters. He lives in Cambridge, Massachusetts, with his wife, novelist Anne Bernays.Anne Bernays is a novelist (including Professor Romeo and Growing Up Rich) and coauthor, with her husband, Justin Kaplan, of Back Then: Two Lives in 1950s New York. Her articles, book reviews and essays have appeared in such major publications as The New York Times, Sports Illustrated and The Nation. A long-time teacher of writing, she is coauthor, with Pamela Painter, of the textbook What If? Ms. Bernays currently teaches at Harvard's Nieman Foundation. She and Mr. Kaplan have six grandchildren. They live in Cambridge, Massachusetts, and Truro, Cape Cod.

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Product details

Paperback: 256 pages

Publisher: Simon & Schuster; 1st Touchstone Ed edition (March 10, 1999)

Language: English

ISBN-10: 0684838672

ISBN-13: 978-0684838670

Product Dimensions:

5.5 x 0.6 x 8.4 inches

Shipping Weight: 11.8 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#1,480,330 in Books (See Top 100 in Books)

Thanks

What We Call Ourselves and Why It Matters -- this subtitle promises much, but, unfortunately, the authors haven't delivered on it. A better subtitle for The Language of Names would be Dozens of Neat Anecdotes About Names in Thematic Form But Without a Common Thread. There's no premise to this book, just thematic chapters that discuss maiden names, sports team names, etc. That doesn't mean that this isn't an interesting book. At times, The Language of Names is really quite interesting, but this book isn't what the package claims it is.I recommend this book as a fun exercise in why we name ourselves what we do, not as a serious effort to uncover why it matters.One other point: the chapter on maiden names attacks at length the tradition of the woman taking the man's name, which is really out of context with the rest of the book. A history of why women take men's names and what the other options are would fascinate. Attacking men and belittling what others choose to do, at least in this context, does not.

beautifully written book about an intriguing subject

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Jumat, 08 Januari 2010

PDF Download The Cloven Viscount: Translated by Archibald Colquhoun

PDF Download The Cloven Viscount: Translated by Archibald Colquhoun

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The Cloven Viscount: Translated by Archibald Colquhoun

The Cloven Viscount: Translated by Archibald Colquhoun


The Cloven Viscount: Translated by Archibald Colquhoun


PDF Download The Cloven Viscount: Translated by Archibald Colquhoun

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The Cloven Viscount: Translated by Archibald Colquhoun

Product details

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Audible Audiobook

Listening Length: 2 hours and 34 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Recorded Books

Audible.com Release Date: December 5, 2017

Whispersync for Voice: Ready

Language: English, English

ASIN: B077XSLJCK

Amazon Best Sellers Rank:

This was not as entertaining or thought-provoking as, for example, The Castle of Crossed Destinies, and the Kindle version contained a sufficient number of typos to be distracting.

Ok, this is an early work of Calvino's and as such it lacks the polish of his latter works. It does show the influence of some of the lesser known Italian masters of magical realism such as Aldo Palazzeschi. Yet this apparently whimsical fairy tale of a knight cleaved into two separate but incomplete personae is as relevant today as it was in the early fifties. It operates on many levels, an allegory of Italian politiccs, the cold war struggle between east and west etc.Of course we can see the beginnings of Calvino's interest in the role of myth to the writer, the philosophical questions of good versus evil, the existence of evil and the struggle between controlling both of these these impulses, think of a modern day Plato and his tale of the charioteer. It is difficult to form an attachment to the story until midway through book when the "good knight" makes an arrival. It is my personal interest in certain writers that the weight of their greatest works makes reading their lesser ones deserving of that effort, but then again I would be happy to read a laundry list if Hemingway wrote it.

Should professional historians stick to the agreed facts and thoroughly-researched, authentic historical novels and ignore Italo Calvino’s oeuvre? Because of the danger of contamination, unwittingly adopting his take on history, even in minor details? Read Calvino’s account of Charlemagne battling the Moors in the 8th century in “The Nonexistent Knight”, now “The Cloven Viscount” --situated in the 18th century--with great enjoyment. They are published separately and/or in one volume. Both are highlights in magical realistic storytelling, a genre I have ignored so far.Early medieval chivalry and stern Christian values prevailed alongside widespread ignorance, superstition and inability to reason in the first novella, whose context is the defence of Greater France against the Moors from Spain. No one back then was bothered by madmen or a talking, moving but otherwise empty harness. In “The Cloven Viscount”, Europe is still fighting Islam, now the Turks in the northern Balkans. Viscount Medardo from the mountains above Genua rises to the occasion and is soon severely wounded, cleft vertically into two halves, which the incredibly brilliant battlefield surgeons of the time manage to suture, stitch and cobble together into two living entities, halved Giacometti’s, who, aided by crutches and covered by wide, dark capes, hop and stumble slowly, laboriously and separately back to Genua. There, the first Medardo-half arriving reclaims the castle and starts a reign of terror. The straggling half--living rough nearby-- quickly becomes a by-word for goodness.Fabulation and exaggeration are everywhere. Fiendish cruelty soon competes with reaching out to the poor and excluded like lepers and Huguenots. How will this end, esp. when both halves of Viscount Medardo fall in love with the same poor damsel tending one goat and one duck?Italo Calvino (1923-85) created quite an oeuvre that has been busily analysed and interpreted. As a recreational reader, I find him a joyful discovery I will return to in future. Highly recommended.

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